There were no reported injuries. So when we first did written radio, where we would sit down and write half hour skits and do them once a week, which we did in the fall of 1967, we did things that were imitative of The Goon Show and learned a lot of voices from them and such. They continued appearing on Radio Free Oz, which later moved to KRLA 1110 AM and then KMET FM, through February 1969. Praise The Hoove! One of the last remaining out-of-print Firesign titles,
The T.V. Obituaries: L.A. times, N.Y. Times, NPR (Fresh Air), Washington Post, Plain Dealer (Cleveland), among others. The Firesigns combined parts of the two shows with some new studio material to produce their sixth album, Not Insane or Anything You Want To. Bergman went backstage and struck up a friendship with Milligan. [59], The Firesigns visited the first Rocky Rococo Pizza when on tour in Madison in 1975 and reacted with good humor, joking around with the owners and giving them pictures that said, "To Rocky, from Rocky" which were hung on the wall. Proctor and Bergman on NPR's Heat with John Hockenberry, Peter Bergman's commentary and interviews with imaginary "news makers" on KPCC. By clicking Sign Up, I confirmthat I have read and agreeto the Privacy Policy and Terms of Service. In his second graduate year he became a fellow in playwriting. You can get it in a package deal with the Bozos bumper sticker (in honor of the 40th anniversary of the release of I Think We're All Bozos On This Bus. The Firesign Theatre. But before releasing the album in October 1972, they had discarded their original story line idea and some newly written scenes. Their last live performance as a quartet was on December 10, 2011 in Portland, Oregon. The Firesigns satirized the turn-of-the-millennium Y2K scare with the 1998 album Give Me Immortality or Give Me Death, in which they revived some of their classic characters such as used car salesman Ralph Spoilsport (Proctor) from How Can You Be In Two Places At Once, news reporters Harold Hiphugger (Ossman) and Ray Hamberger (Proctor) from Everything You Know Is Wrong, and game-show contestant Caroline Presskey (Proctor) from Don't Crush That Dwarf. No matter how far out we would carry a premise, if we were tied to the phones we discovered the audience would go far ahead of us. (19711972) on KPFK. Toad Away 2. Secretly I think this album was inspired by Firesign Theatre's "Fighting Clowns", in the sense that this can't possibly be true. Fighting Clowns of HollywoodSeven hours of live Firesign TheatreMost never before released80-page supplemental PDFDownload it at Bandcamp. [58] They hired an artist to design, as their logo, a moustachioed Italian with a white hat and sunglasses, suggested by the White Spy from Mad Magazine, and hired comic actor Jim Pederson to portray this "Rocky Rococo" wearing a white suit. The popularity of the group cooled off after 1980 as the social and political climate of the United States changed with the election of President Ronald Reagan. But we weren't making money; we might as well have been teaching school somewhere and worrying about making tenure for all the money we were making. Extra added bonus: the day before the event, Proctor & Ossman participated in a radio interview with Larry O'Connor on WMAL radio. They created a live show, Radio Now Live in 2001 using characters from Give Me Immortality and released it on a live album, which also includes updated cuts from Anythynge You Want To. Don't Crush That Dwarf, Hand Me the Pliers (1970) is a single play centered around an actor named George Tirebiter (Ossman), who gradually ages into an old man while watching his old movies on television: a Henry Aldrich parody High School Madness (in which he is named Porgie Tirebiter), and the Korean War film Parallel Hell. Principal Poop talks principles; Miners talk coal; and Giant Toad Supermarket offers deep-cut discounts. Patent Protected. The Firesigns made use of inside humor. This total includes one release on Columbia's subsidiary label, Last edited on 20 December 2022, at 23:02, Don't Crush That Dwarf, Hand Me the Pliers, Anythynge You Want To (Shakespeare's Lost Comedie), Hugo Award for Best Dramatic Presentation, Not So Much a Programme, More a Way of Life, Waiting for the Electrician or Someone Like Him, How Can You Be in Two Places at Once When You're Not Anywhere at All, Shoes for Industry: The Best of the Firesign Theatre, Nick Danger: The Case of the Missing Shoe, Duke of Madness Motors: The Complete "Dear Friends" Radio Era, Association for Consciousness Exploration, United States Court of Appeals for the Fifth Circuit, Back From the Shadows: The Firesign Theatre's 25th Anniversary Reunion Tour, Nick Danger in The Case of the Missing Yolk, "Peter Bergman: Remembering The 'Firesign' Satirist", "FIREZINE #4: Under the Influence of the Goons", "Legendary Comedy Group Firesign Theatre Celebrates Its 40th Anniversary November 17, 2006; Invite Fans to Cough Up the Goods", "Jack Poet Volkswagen commercials: Firesign Theatre: Free Download & Streaming: Internet Archive", "Fall Comedy Reads: A Look Back at the Firesign Theatre", "The History of Proctor & Bergman On the Road", "Proctor and Bergman | Bottom Line | New York, NY | Jun 8, 1978 | Late Show - wolfgangsvault.com", "FIREZINE #4: Nick Danger: The Daily Feed Tapes", "Peter Bergman, Firesign Theatre founder, dies at 72 | 89.3 KPCC", "Firesign Theatre Still an Original After 45 Years Audio Eclecticism in the 60s", "Phil Austin, dies at 74; voice of Firesign Theatre's Nick Danger", "Phil Proctor and David Ossman on Firesign Theatre's Return with "Dope Humor of the Seventies" on Vinyl", "Peter Bergman, Firesign Theatre founder, dies at 72", "Phil Austin (a.k.a. CLICK HERE to order from the Firesale Store. The Firesign Theatre (also known as the Firesigns) [1] [2] was an American surreal comedy troupe who first appeared on November 17, 1966, in a live performance on the Los Angeles radio program Radio Free Oz on station KPFK FM. How Can You Be in Two Places at Once When You're Not Anywhere at All, released in 1969, consists of a stream-of-consciousness play on side one about a man named Babe (Bergman) who buys a car and goes on a road trip that turns into a parody of Norman Corwin's 1941 patriotic radio pageant We Hold These Truths. Search all Bandcamp artists, tracks, and albums, The Firesign Theatre As of 12/27/16, all pre-orders have been shipped. The latest Firesign news can be found at Firesign's Website and on the Firesign Theatre's Facebook page. [45] She is the model for the blonde femme fatale on the cover art of the Box of Danger CD set,[45] and is credited with performing support functions such as photography and catering on several of the later albums. Deputy Dan Has No Friends 6. According to Ossman:[6][10]. Secretly I think this album was inspired by Firesign Theatre's "Fighting Clowns", in the sense that this can't possibly be true. According to Bergman: "There was no leader." [21] On March 30, they ended Let's Eat! [4] He had a deep voice and frequently took African-American roles in Firesign Theatre and Proctor and Bergman works. Available in either hard cover or soft cover editions, from Bear Manor Media. In a parody of Marlon Brando's 1973 Academy Awards protest, the brother and sister stage a terrorist attack on an Oscar awards ceremony. The Firesigns appeared on the NPR show All Things Considered on US holidays from July 4 to December 31, 2002;[26] these were compiled on a CD, All Things Firesign. The Giant Toad | The Firesign Theatre music community The Giant Toad from Drop - Ins by The Firesign Theatre Share / Embed Wishlist 00:00 / 01:03 Digital Track Streaming + Download Includes high-quality download in MP3, FLAC and more. What to expect; The Someday Funnies 7. Originally, when we started writing it, it was going to be a much more complicated and 'cinematic' record; we were trying to write a radio movie." The blue comedy was dialed back from explicit to suggestive, as a scientist invents a machine that mimics sexual intercourse. - "Here is a link to the Channel 11 Yule Log to watch while you listen" [https://www.youtube.com/watch?v=VEx4KMzPegc], Freddie Blassie - "Mambo Remus Interview", Al 'Jazzbo' Collins - "Three Little Pigs", PDQ Bach - "Beethoven's Fifth Concertcast", Kate Smith - "When the Moon Comes Over the Mountain", Frank Sinatra & Dagmar - "Mama Will Bark", Masters of Reality - "Ants in the Kitchen", Chubby Checker - "Twistin Around the World", Skiles & Henderson - "Winchester Cathedral", Louis Armstrong & His Orchestra - "Laughing Louie", R Crumb & his Cheap Suit Serenaders - "Singing in the Bathtub", Margaret Whiting & Bob Hope - "Blind Date", Robert D. Buchanan & Jack Schleh - "Colonel Bleep's Arrival on Earth 1957", Michael Hall - "Let's Get Some Drugs and Drive Around", Robert Palmer - "Parade of the Obliterators", Billy Murray & Marcella Shields - "Ever Since the Movies Learned to Talk", Sam The Sham & the Pharaohs - "By the Hair on My Chinny Chin Chin", Firesign Theatre - "Before the Beginning", Lincoln Chase - "You've Got to Be a Little Crazy", Doreen Davis & Bobby Lyons - "Punch Line", Marshall x Shazib - "Welcome to the Waffle House", Skeletons - "Take Me Out to the Ballgame", Radio Free Vestibule - "Bulbous Bouffant", Camille West - "Nervous Wreck of the Edna Fitzgerald", Happiness Boys (Jones & Hair) - "Pardon Me While I Laugh", Red Ingle & Natural 7 - "A: You're a Dopey Gal", http://podcast.wfmu.org/KB/kb-20230113p.mp3, https://images.podcastrepublic.net/podcast/350606463hd.jpg, https://www.wfmu.org/playlists/shows/123692, http://podcast.wfmu.org/KB/kb-20221230p.mp3, https://www.wfmu.org/playlists/shows/123239, 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http://podcast.wfmu.org/KB/kb-20220722p.mp3, https://www.wfmu.org/playlists/shows/117949, http://podcast.wfmu.org/KB/kb-20220715p.mp3, https://www.wfmu.org/playlists/shows/117727, http://podcast.wfmu.org/KB/kb-20220708p.mp3, https://www.wfmu.org/playlists/shows/117506, http://podcast.wfmu.org/KB/kb-20220701p.mp3, https://www.wfmu.org/playlists/shows/117279, http://podcast.wfmu.org/KB/kb-20220624p.mp3, https://www.wfmu.org/playlists/shows/117059, http://podcast.wfmu.org/KB/kb-20220617p.mp3, https://www.wfmu.org/playlists/shows/116822, http://podcast.wfmu.org/KB/kb-20220610p.mp3, https://www.wfmu.org/playlists/shows/116611, http://podcast.wfmu.org/KB/kb-20220603p.mp3, https://www.wfmu.org/playlists/shows/116362, http://podcast.wfmu.org/KB/kb-20220527p.mp3, https://www.wfmu.org/playlists/shows/116142, http://podcast.wfmu.org/KB/kb-20220520p.mp3, https://www.wfmu.org/playlists/shows/115909, http://podcast.wfmu.org/KB/kb-20220506p.mp3, https://www.wfmu.org/playlists/shows/115468, http://podcast.wfmu.org/KB/kb-20220429p.mp3, https://www.wfmu.org/playlists/shows/115056, http://podcast.wfmu.org/KB/kb-20220423p.mp3, https://www.wfmu.org/playlists/shows/114833, http://podcast.wfmu.org/KB/kb-20220415p.mp3, https://www.wfmu.org/playlists/shows/114583, http://podcast.wfmu.org/KB/kb-20220408p.mp3, https://www.wfmu.org/playlists/shows/114367, http://podcast.wfmu.org/KB/kb-20220401p.mp3, https://www.wfmu.org/playlists/shows/114166, http://podcast.wfmu.org/KB/kb-20220325p.mp3, https://www.wfmu.org/playlists/shows/113946, http://podcast.wfmu.org/KB/kb-20220318p.mp3, https://www.wfmu.org/playlists/shows/113725, http://podcast.wfmu.org/KB/kb-20220311p.mp3, https://www.wfmu.org/playlists/shows/113514, http://podcast.wfmu.org/KB/kb-20220304p.mp3, https://www.wfmu.org/playlists/shows/113284, http://podcast.wfmu.org/KB/kb-20220225p.mp3, https://www.wfmu.org/playlists/shows/113066, http://podcast.wfmu.org/KB/kb-20220218p.mp3, https://www.wfmu.org/playlists/shows/112854, http://podcast.wfmu.org/KB/kb-20220211p.mp3, https://www.wfmu.org/playlists/shows/112640, http://podcast.wfmu.org/KB/kb-20220204p.mp3, https://www.wfmu.org/playlists/shows/112409, http://podcast.wfmu.org/KB/kb-20220128p.mp3, https://www.wfmu.org/playlists/shows/112192, http://podcast.wfmu.org/KB/kb-20220121p.mp3, https://www.wfmu.org/playlists/shows/111977, http://podcast.wfmu.org/KB/kb-20220114p.mp3, https://www.wfmu.org/playlists/shows/111747, http://podcast.wfmu.org/KB/kb-20220107p.mp3, https://www.wfmu.org/playlists/shows/111523, http://podcast.wfmu.org/KB/kb-20211231p.mp3, https://www.wfmu.org/playlists/shows/111280, http://podcast.wfmu.org/KB/kb-20211224p.mp3, https://www.wfmu.org/playlists/shows/111047, http://podcast.wfmu.org/KB/kb-20211217p.mp3, https://www.wfmu.org/playlists/shows/110839, http://podcast.wfmu.org/KB/kb-20211210p.mp3, https://www.wfmu.org/playlists/shows/110609, http://podcast.wfmu.org/KB/kb-20211203p.mp3, https://www.wfmu.org/playlists/shows/110387, http://podcast.wfmu.org/KB/kb-20211126p.mp3, https://www.wfmu.org/playlists/shows/110171, http://podcast.wfmu.org/KB/kb-20211119p.mp3, https://www.wfmu.org/playlists/shows/109942, http://podcast.wfmu.org/KB/kb-20211112p.mp3, https://www.wfmu.org/playlists/shows/109678, http://podcast.wfmu.org/KB/kb-20211105p.mp3, https://www.wfmu.org/playlists/shows/109475, http://podcast.wfmu.org/KB/kb-20211029p.mp3, https://www.wfmu.org/playlists/shows/109254, http://podcast.wfmu.org/KB/kb-20211022p.mp3, https://www.wfmu.org/playlists/shows/109046, http://podcast.wfmu.org/KB/kb-20211015p.mp3, https://www.wfmu.org/playlists/shows/108842, http://podcast.wfmu.org/KB/kb-20211008p.mp3, https://www.wfmu.org/playlists/shows/108636, http://podcast.wfmu.org/KB/kb-20211002p.mp3, https://www.wfmu.org/playlists/shows/108411, http://podcast.wfmu.org/KB/kb-20210924p.mp3, https://www.wfmu.org/playlists/shows/108211, http://podcast.wfmu.org/KB/kb-20210917p.mp3, https://www.wfmu.org/playlists/shows/107976, http://podcast.wfmu.org/KB/kb-20210910p.mp3, https://www.wfmu.org/playlists/shows/107751, http://podcast.wfmu.org/KB/kb-20210903p.mp3, https://www.wfmu.org/playlists/shows/107536, http://podcast.wfmu.org/KB/kb-20210827p.mp3, https://www.wfmu.org/playlists/shows/107304, http://podcast.wfmu.org/KB/kb-20210820p.mp3, https://www.wfmu.org/playlists/shows/107042, http://podcast.wfmu.org/KB/kb-20210813p.mp3, https://www.wfmu.org/playlists/shows/106819, http://podcast.wfmu.org/KB/kb-20210806p.mp3, https://www.wfmu.org/playlists/shows/106598, http://podcast.wfmu.org/KB/kb-20210730p.mp3, https://www.wfmu.org/playlists/shows/106373, http://podcast.wfmu.org/KB/kb-20210723p.mp3, https://www.wfmu.org/playlists/shows/106131, http://podcast.wfmu.org/KB/kb-20210716p.mp3, https://www.wfmu.org/playlists/shows/106125, http://podcast.wfmu.org/KB/kb-20210709p.mp3, https://www.wfmu.org/playlists/shows/105674, http://podcast.wfmu.org/KB/kb-20210702p.mp3, https://www.wfmu.org/playlists/shows/105459, http://podcast.wfmu.org/KB/kb-20210625p.mp3, https://www.wfmu.org/playlists/shows/105232, http://podcast.wfmu.org/KB/kb-20210618p.mp3, https://www.wfmu.org/playlists/shows/105018, http://podcast.wfmu.org/KB/kb-20210611p.mp3, https://www.wfmu.org/playlists/shows/104790, http://podcast.wfmu.org/KB/kb-20210604p.mp3, https://www.wfmu.org/playlists/shows/104567, http://podcast.wfmu.org/KB/kb-20210528p.mp3, https://www.wfmu.org/playlists/shows/104315, http://podcast.wfmu.org/KB/kb-20210521p.mp3, https://www.wfmu.org/playlists/shows/104152, http://podcast.wfmu.org/KB/kb-20210514p.mp3, https://www.wfmu.org/playlists/shows/103887, http://podcast.wfmu.org/KB/kb-20210507p.mp3, https://www.wfmu.org/playlists/shows/103665, http://podcast.wfmu.org/KB/kb-20210430p.mp3, https://www.wfmu.org/playlists/shows/103447, http://podcast.wfmu.org/KB/kb-20210423p.mp3, https://www.wfmu.org/playlists/shows/103219, http://podcast.wfmu.org/KB/kb-20210416p.mp3, https://www.wfmu.org/playlists/shows/103009, http://podcast.wfmu.org/KB/kb-20210409p.mp3, https://www.wfmu.org/playlists/shows/102805, http://podcast.wfmu.org/KB/kb-20210402p.mp3, https://www.wfmu.org/playlists/shows/102611, http://podcast.wfmu.org/KB/kb-20210326p.mp3, https://www.wfmu.org/playlists/shows/102395, http://podcast.wfmu.org/KB/kb-20210319p.mp3, https://www.wfmu.org/playlists/shows/102199, http://podcast.wfmu.org/KB/kb-20210312p.mp3, https://www.wfmu.org/playlists/shows/101985, http://podcast.wfmu.org/KB/kb-20210305p.mp3, https://www.wfmu.org/playlists/shows/101787, http://podcast.wfmu.org/KB/kb-20210226p.mp3, https://www.wfmu.org/playlists/shows/101593, http://podcast.wfmu.org/KB/kb-20210219p.mp3, https://www.wfmu.org/playlists/shows/101392, http://podcast.wfmu.org/KB/kb-20210212p.mp3, https://www.wfmu.org/playlists/shows/101183, http://podcast.wfmu.org/KB/kb-20210205p.mp3, https://www.wfmu.org/playlists/shows/100975, http://podcast.wfmu.org/KB/kb-20210129p.mp3, https://www.wfmu.org/playlists/shows/100768, http://podcast.wfmu.org/KB/kb-20210122p.mp3, https://www.wfmu.org/playlists/shows/100573, http://podcast.wfmu.org/KB/kb-20200904p.mp3, https://www.wfmu.org/playlists/shows/96340, http://podcast.wfmu.org/KB/kb-20200310p.mp3, https://www.wfmu.org/playlists/shows/91945. Later the Firesigns created their own inside jokes by referring to their own previously released material. According to the department, reports of the fire came in around 11:30 a.m. Monday, with crews arriving on the scene shortly thereafter. has returned to CD! Driving For Dopers -- 1/10/71 4. Broadway World,
Columbia Records from 1967 through 1976,[3] and had three nationally syndicated radio programs: The Firesign Theatre Radio Hour Hour [sic] in 1970 on KPPC-FM; and Dear Friends (19701971) and Let's Eat! This program will be recorded for broadcast/podcast purposes. Records in November 2020. "[7] They went on to produce three more Columbia studio albums from 1969 to 1971. [35], A compilation album distilled from the Duke of Madness Motors set, Dope Humor of the Seventies, was released by Stand Up! [7][25] The remaining three Firesigns produced a new album in 1984, The Three Faces of Al, with the further adventures of Nick Danger. Duke Duke Duke Duke of Madness Madness Madness! Each grew technically more sophisticated, taking advantage of up to 16 tape tracks and Dolby noise reduction by 1970.[7]. We all vaguely sort of know him, and a lot of the time take credit for him. Ossman left the group in early 1982 to take a producer's job for NPR in Washington DC. Available directly from firesigntheatrelegacy.com through the Firesale store. Add a video, Do you know any background info about this track? Founding members Ossman and Proctor will be joined by "surprise" celebrity guests, and will play and perform highlights of their amazing career, as well as exciting new material. Side two, the title track, is a stream-of-consciousness play about an American tourist (Austin) to an Eastern Bloc country, who ends up in prison and is rescued by the CIA. Firesign Theater - Dear Friends (1972) (Complete Album) 01pynchon 1.6K subscribers Subscribe 101K views 10 years ago Dear Friends is The Firesign Theatre's fifth album to be released on. Please join me and my fellow seekers as we find the Wisdom we crave and the Rapture we deserve. According to Austin, the show "featured everybody who was anybody in the artistic world who passed through LA." The Starland Vocal Band also performed short comic radio breaks on this album. It was formed around Peter Bergman's show Radio Free Oz on Los Angeles station KPFK, where Phil Austin, David Ossman, and Phil Proctor came into Bergman's orbit and formed a team that created off the wall, improvisational comedy culled from popular culture, historical events, and literary works. Firesign Theatre 1. Baldy prompt warning to even the most experienced hikers, Man and dog fall off cliff near Mugu Rock, Orange County man accused of kidnapping woman at mall, sexually assaulting her, Good Day LA's Tony McEwing announces retirement, Tulare massacre: Mother, infant killed among 6 execution-style were trying to escape, Family of OC public defender found dead in Mexico accuses local authorities of poor communication, Keenan Anderson: Community demands justice for man who died after LAPD shocked him with Taser 6 times, Darnell Calhoun: Hundreds attend vigil for slain Riverside County sheriff. Return with Proctor and Bergman through their memories of the surreal silliness that resulted in the creation of their famous comedy albums, TV or Not TV, Give Us a Break, and What This Country Needs, and the films, J-Men Forever (1979) and Americathon (1979). The album satirizes series television, televangelists, the 1973 oil crisis, and the Presidency of Richard Nixon. Sodom And Jubilee 3. It's like having the '60s in the palm of your mind 48-page paperback book with DVD-ROM, including all 11 of the surviving Magic Mushroom plays, plus original promos and the 10/29/1967 episode of Radio Free Oz ("The Bridey Murphy Come As You Were Halloween Party"). [7] In 1982, they produced the album Lawyer's Hospital from a collection of live appearances, National Public Radio (NPR) performances, and the Jack Poet Volkswagen commercials from Radio Free Oz. Check back here for details. Peter Bergman (born under the fire sign Sagittarius in Cleveland, Ohio[7] on November 29, 1939; died March 9, 2012[38] ) started his radio career on his high school radio system during the Korean War; he got kicked off the air by the principal when, as a prank, he announced a Communist takeover of the school. In 2005, the US Library of Congress added Don't Crush That Dwarf to the National Recording Registry and called the group "the Beatles of comedy. "He's no fun, he fell right over" became a famous catchphrase delivered by Austin in "How Can You Be In Two Places at Once" and repeated on side two in "The Further Adventures of Nick Danger". The Giant Toad -- 11/1/70 4. "[7], The four decided to take a break from the group in 1973 to work in separate directions. The family of Elliot Blair says they will be conducting their own independent investigation because of the "insufficiency" of the official investigation. Forward progress on the fire was reported around 1:20 p.m. Poop's Principles -- 11/1/70 7. International Youth-Sex On Parade -- 10/18/70 8. PDD, Robins decided to release the recording of his 2016 comedy tour during the Covid-19 shutdown at the behest of fans. From November 2002 through early 2003, Bergman produced a political satire series True Confessions of the Real World, three times weekly on Pasadena non-commercial KPCC FM. Ossman's first wife Tiny (Tinika)[42] performed as a St. Louis Aquarium Choraleer and as part of the "Ambient's Noyes Choral" (singing the Peorgie and Mudhead theme song) on Don't Crush That Dwarf; as "Ann" on I Think We're All Bozos; as Nurse Angela and news reporter Chiquita Bandana on How Time Flys; and vocals and percussion on Not Insane. in Los Angeles, they were simulcast on KRLA during Peter Bergman's Radio Free Oz show. This was performed at the Los Feliz Theatre in Los Angeles in May 1976 and at the Palace of Fine Arts in San Francisco in June. As Austin looked back on this period from September 1993, he wrote that he saw Proctor and Bergman wanting to take the Firesign Theatre in a different direction than he did, moving away from intensely written albums released one per year, to more live performances with lighter material. They continued appearing on Radio Free Oz, which later moved to KRLA 1110 AM and then KMET FM, through February 1969. Brickbreaking -- 1/24/71 9. Austin died in Fox Island, Washington, on June 18, 2015, from complications of cancer. Contact Shop Home / Firesign / Giant Toad Supermarket Poster 912 Sale! A new version of Last.fm is available, to keep everything running smoothly, please reload the site. They produced fifteen record albums and a 45 rpm single under contract to Please join me and my fellow seekers as we find the Wisdom we crave and the Rapture we deserve. [8] They concentrated their writing on the folk-club material and produced improvisational skit material for the Radio Hour and its successors. Hannam Chain is a Korean chain supermarket based in the United States. After over 20 years of service, the original co-webmasters of firesigntheatre.com are handing the site reins over to Phil Proctor's daughter Kristin Campbell, and official Firesign archivist & shipping monkey Taylor Jessen. Listen to a podcast, please open Podcast Republic app. Set 1. Both projects ended in development hell, and rights to the character reverted to the Firesigns. They also released a 1993 greatest hits album, Shoes for Industry: The Best of the Firesign Theatre containing original material from the first nine albums, TV or Not TV, and Roller Maidens From Outer Space. Ossman said this record "grew out of our basic interest in those parapsychological things from Castaneda to the hollow Earth theory to the guy who bends spoons. [7] In November, Proctor was in Los Angeles looking for acting work and watching the Sunset Strip curfew riots. [26] In 2005, the US Library of Congress added Don't Crush That Dwarf, Hand Me the Pliers to the National Recording Registry,[50] and called the group "the Beatles of comedy. Frankly, we didn't have five more albums in us at that point."[7]. Trepany House presents:The Firesign Theatre's "Surprise!" When he discovered he was sitting on a newspaper photo of Bergman, he called his college buddy, who recruited him as the fourth man for his comedy group. On returning to the US, Bergman started a late-night listener-participation talk show, Radio Free Oz, on July 24, 1966, on listener-sponsored KPFK FM in Los Angeles, working with producers Phil Austin and David Ossman. They peppered Waiting for the Electrician and How Can You Be in Two Places At Once with Beatles references not found on the band's top 40 material. He also has done celebrity voice impersonations on Firesign material, including W.C. Fields (Waiting For the Electrician and How Can You Be In Two Places), Robert F. Kennedy (Waiting For the Electrician), and a Peter Lorre-like voice for the Nick Danger character Rocky Rococo (Box of Danger). The Firesigns always billed themselves alphabetically on their album jackets and other printed materials. 2022 Firesign Theatre Calendar $ 25.00; Unclaimed Melodies Poster 912 . This became popular on the 1980s late-night TV series Night Flight. Performed in front of a live audience at the Magic Mushroom club on Ventura Blvd. Their album "Don't Crush That Dwarf, Hand Me the Pliers" was inducted into the Library of Congress recording registry in 2005. Following the 1992 United States presidential election,[7] and with Ossman back in the group, the Firesign Theatre reunited in 1993 for a 25th anniversary reunion tour around the US, Back From the Shadows, starting on April 24 in Seattle with an audience of 2,900. Since the creator of the Conan the Barbarian comic had similarly endorsed the restaurant by drawing Conan on its walls, the suit lost in the United States Court of Appeals for the Fifth Circuit, so the Firesigns settled out of court. She is credited as a member of "the St. Louis Aquarium Choraleers" (singing the hymn "Marching to Shibboleth") and as "the Wake-Up Lady" and for birdsong on Don't Crush That Dwarf; as "Mickey" and with keyboard stylings on I Think We're All Bozos; with film footage on the Dear Friends album; and organ, piano, and vocals on Not Insane. One LA County fire helicopter was on the scene dropping water to put out the blaze. -- 12/9/70 5. Bandcamp New & Notable May 29, 2020, Taylor Ham, Egg, And Cheeseby Chris Gethard, Comedian Chris Gethards hilarious new surprise album is devoted to the great state of New Jersey, and the great state of New Jersey alone. [31] According to Austin, the remaining three Firesigns' April 21, 2012 memorial for Bergman was their last live performance. Marshmallows & Despair is David Ossman's shocking, awesome, poetic coverage of 21st Century War and Politics, tales of neo-noir nights in strange places, poems of aging, dying, and seeking refuge. Playing via Spotify Playing via YouTube Playback options Available on
Tony is retiring after a journey that has spanned more than four decades in television. at the Library of Congress in Washington, DC. I Was A Cock-Teaser For Roosterama! It is a tremendous and unexpected loss, and we will miss him greatly; but in keeping with his wishes, there will be no public memorial. Ossman called Dope Humor a sort of "dark side" to the Dear Friends album, since both were compiled from the same source, but the sketches on Dope Humor had not been constrained by the desire to keep the material radio-friendly, as had been the case for Dear Friends. Proctor's third wife, actress Melinda Peterson, appeared with Proctor and Bergman on their 1990 NPR serial Power: Life on the Edge in L.A..[28] She also performed on the Give Me Immortality ,[46] Boom Dot Bust,[47] and Bride of Firesign albums[48] and supported the group in the Radio Now Live show. We are very sad to report that Peter Bergman, a founding member of the Firesign Theatre and the driving force behind Radio Free Oz in all its incarnations, passed away in the early morning hours of Friday, March 9, 2012 due to complications from leukemia. Before They Changed the Water: Live 1969-1971, Back from the Shadows: The Firesign Theatre's 25th Anniversary Reunion Tour, George Leroy Tirebiter: The Complete Collection, Tales of the Old Detective and Other Big Fat Lies, War of the Worlds: 50th Anniversary Production. [55][56], In Madison, Wisconsin in 1974, a pair of University of Illinois students opened the first of a regional chain of pizza restaurants they named "Rocky Rococo"[57] after the Nick Danger character, without any mention of connection to the Firesign Theatre. Duke Of Madness Motors -- 1/17/71 2. Freezing Mr. Foster -- 11/8/70 4. Austin wrote the solo album Roller Maidens From Outer Space, based on a hardboiled detective in the same vein as his Nick Danger character introduced on the B side of How Can You Be In Two Places. Roller Maidens, released in March 1974 on Columbia's Epic label, also featured all four Firesigns and included actors Richard Paul and Michael C. Gwynne. There, he met his future partner Bergman in the Yale Dramatic Association, where he starred in the two musical comedies written by Bergman and Pendleton. In 1975, they released the black comedy album In the Next World, You're on Your Own, written by Austin and Ossman. In 1996, a computer game written by Bergman, This page was last edited on 20 December 2022, at 23:02. Scrobbling is when Last.fm tracks the music you listen to and automatically adds it to your music profile. When the syndication went unsold, Austin approached Rhino Records and secured a deal to release the five episodes in 1979 on a 12-minute extended play (EP) record.[25]. If you like The Firesign Theatre, you may also like: supported by 12 fans who also own Drop-Ins. These information outlets are in addition to the news alerts and press releases that are maintained right here on this site. http://trepanyhouse.tix.com/Event.aspx?EventCode=918757, three new books of Firesign plays and sketches. Freezing Mr. Foster 4. They presented their sketch titled "The History of the Art of Radio, Revised," and they discussed the history and impact of the Firesign Theatre with video clips, slides and reminiscences. This definitive collection celebrates Ossmans 79th birthday and features a captivating cast that includes Beat St. Jack, Banana Clip Republicans, Funny Skydivers, as well as an Elegy to Rock Snot. Bergman said, "The group had really split apart; we had just burned out. Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. This album also received a Hugo nomination in 1972.[20]. The name of Danger's criminal nemesis Rocky Rococo was a parody of the Beatles' "Rocky Raccoon", and Danger's girlfriend has multiple names but "everyone knew her as Nancy" just like Rocky Raccoon's girlfriend. Austin's first wife Annalee performed in support of the group on several golden age albums. [17] Their contract with Columbia, in exchange for a low royalty rate, gave them unlimited studio time, allowing them to perfect their writing and recording.[7]. He was the second Riverside County deputy to be slain in the line of duty in two weeks. More information: http://trepanyhouse.tix.com/Event.aspx?EventCode=918757, New David Ossman Book: MARSHMALLOWS & DESPAIR. In October 1974, the Firesigns released their eighth album, Everything You Know Is Wrong, which satirized the developing New Age movement. with a live broadcast titled Martian Space Party, which was also recorded on 16-track tape and filmed. Williams referred to Firesign albums as "the audio equivalent of a Hieronymus Bosch painting. Phil Proctor, co-founder of the legendary, surrealist comedy group The Firesign Theatre, has fashioned the most outrageous, eclectic autobiography intergalactically conceivable. NEW! This show at the Steve Allen Theater at the Center for Inquiry will be history in the making. They have a group page on Facebook where Firesign group members and their minions keep the conversation going in the digital age. [11][12][13] In September 1967, they performed an adaptation of Jorge Luis Borges' short story "La Muerte y La Brujula" ("Death and the Compass") on Radio Free Oz. Sleep -- 1/24/70Between September 9, 1970 and February 17, 1971 The Firesign Theatre performed a one hour live show on radio station KPFK in Los Angeles titled Dear Friends. Phil Proctor's Memoir, Where's My Fortune Cookie?Available Now on amazon.com! [25] In December 1978, they began writing five short (2:24) episodes of Nick Danger: The Case of the Missing Shoe for a possible syndicated daily radio series. The fire broke out near the westbound lanes of the 60 Freeway near the 71 Freeway. [23] The record predicts the rise of pay cable TV, and it depicts an amateur station run by two men who must constantly block a group of teenage hijackers. Start the wiki. The resulting synergy created the feeling of a fifth Firesign; according to Austin: "It's like, suddenly there is this fifth guy that actually does the writing. 1. the Extra-Terrestrial) using the album as the soundtrack. "[7] This resulted in the group inventing the name "4 or 5 Krazy Guys Publishing" to copyright their work. Hello" with "Hello Ah-Clem. Their fifth album, Dear Friends, was a double-record compilation of what they considered the best segments from the series, released in January 1972. in 1971 and 1972. He was an accomplished lead guitarist, and he was responsible for adding much of the music to Firesign works. Meanwhile, Austin and Ossman toured the west coast, billing themselves as "Dr. Firesign's Theatre of Mystery". So it should come as no surprise that Firesign would take advantage of current social networking platforms to keep its fans informed and tuned in to what's happening with the group. The Firesign Theatre Radio Hour Hour [sic] aired for two hours on Sunday nights on KPPC-FM in 1970. released over two dozen comedy albums and ten books of plays. On Thursday September 28, 2017, Phil Proctor and David Ossman presented "An Evening with the Firesign Theatre (Or What's Left Of It!)" We have set up a Memorial Guestbook page on this site. David Ossman (born under the fire sign Sagittarius in Santa Monica, California[7] on December 6, 1936), the oldest Firesign, is known as the intellectual of the group, and he is known for doing an old-man voice (most famously as Catherwood the butler in the original Nick Danger story, George Tirebiter on Don't Crush That Dwarf and In the Next World You're On Your Own, and as the elder ant Cornelius in Disney Pixar's 1998 A Bug's Life.) We realized that FM radio was playing our albums whole, and that people were memorizing them. Two lanes of the 60 Freeway were closed nearby because of a tractor-trailer fire. Proctor and Bergman decided to perform as a duo, and made a separate record deal with Columbia,[22] producing TV or Not TV: A Video Vaudeville in Two Acts. $14.95 ea. In 1970, the group had performed a live stage show, the Shakespeare parody The Count of Monte Cristo, at Columbia University. The Giant Toad by Firesign Theatre: Listen to songs by Firesign Theatre on Myspace, a place where people come to connect, discover, and share. Firesign Theatre: "Glamour Shoot #2" Listen online to The Firesign Theatre - The Giant Toad and find out more about its history, critical reception, and meaning. Since then, with the help of his apostles Spike, Al, Stan and Black-Eyed Susan Brown, I have made it my mission to spread the Gospel of the Firesign and the Word of the Waller. As a member of the Yale Dramatic Association, he co-wrote two musical comedies with Austin Pendleton. Meanwhile, Proctor and Bergman produced a film, J-Men Forever, using clips from old Republic Pictures movie serials with dubbed dialogue, combined with new footage of them as FBI agents tracking down a villain known as "the Lightning Bug" voiced by disk jockey M. G. Kelly. Dear Friends is The Firesign Theatre's fifth album to be released on Columbia Records. Includes high-quality download in MP3, FLAC and more. This material may not be published, broadcast, rewritten, or redistributed. Available in soft cover from Bear Manor Media. The album was given the non sequitur title Waiting for the Electrician or Someone Like Him, from Bergman's undeveloped 1965 idea for a comic film. Balliol Bros. -- 11/8/70 6. While promoting the show, they did a radio interview with disk jockey Wolfman Jack.[22]. <!DOCTYPE html> <html lang="en" ng-app="userApp"> <head> <!-- Mobile viewport optimizations --> <meta name="HandheldFriendly" content="true" /> <meta name="viewport . The Small Animal Administration -- 11/1/70 3. Bob's Brazerko Lounge -- 1/24/70 6. According to Proctor:[7]. Bergman said, "We toured after Dwarf and we began to realize the extent we were influencing people. Firesign Theatre: "Giant Hand Balloon" View fullsize. A six-cassette collection of the Firesign Theatre's presidential and campaign commentaries which aired on NPR during the 1980 election season. [21] He co-directed the album with Columbia producer Stephen Gillmor, and the other three Firesigns starred on it, along with several guest personalities including Wolfman Jack, Harry Shearer of The Credibility Gap, and broadcast journalist Lew Irwin. [8] Both titles came from lines uttered by televangelist Pastor Rod Flash (Proctor) on his "Hour of Reckoning" program in Don't Crush That Dwarf. They were doing that show for 10 years, all the way through the 1950s. [36] Proctor called the release a tribute to Austin and Bergman.[37]. In 1996, Bergman revived Radio Free Oz as an Internet-based radio station, www.rfo.net, calling it "the Internet's funny bone. Fully Firesign-approved merchandise! [24], The Firesigns took it easy for the rest of the 1970s, producing a 1977 album Just Folks A Firesign Chat based largely on unreleased Dear Friends and Let's Eat radio material. Trusswrappers will be persecuted. He also could do an old-man voice as Doc Technical in the Dear Friends radio "Mark Time" episode, and he applied his impersonation of Richard Nixon as presidents in several Firesign and solo works (Bozos, How Time Flys, Roller Maidens, and Everything You Know Is Wrong). Patent Protected. [7] The film was shown in a live appearance at Stanford University and released on VHS video tape in 1993. The Firesign Theatre performing at the Magic Mushroom club in 1967: Proctor, Ossman, Bergman, Austin, there was something about the Eighties the anti-surrealist, I dreamed it back. US Plus.All Rights Removed. Here's the link: http://www.wmal.com/2017/09/27/listen-phil-proctor-and-david-ossma-of-firesign-theatre-to-be-honored-by-the-library-of-congress/. In December 2001, the Firesigns appeared in a 90-minute PBS television show Weirdly Cool. With a career spanning 50 years and playing with two of my heroes (French and Cornwell) Thompson has produced a fascinating EP. 2023 FOX Television Stations, 'Hiking queen,' mother of 4 falls to her death at Mt. Variety,
", Beatle John Lennon was photographed wearing the Firesign's "Not Insane Papoon for President" campaign button they had made for Martian Space Party (Not Insane album). Dear Friends was followed with the KPFK show Let's Eat! And won't Bruce be pleased to process THAT order!). Toad Away -- 12/9/70 2. Paying supporters also get unlimited streaming via the free Bandcamp app. Straight Arrow Press, Rolling Stone's book publishing arm, published two books authored by the Firesign Theatre: The Firesign Theatre's Big Book of Plays, and The Firesign Theatre's Big Mystery Joke Book. These feature background information, satirical introductions and parodic histories, as well as transcripts from their first seven albums. He also appeared as an actor and voice actor on television. Everything You Know Is WrongThe Declassified Firesign Theatre2-DVD Set, UPDATE: The DVDs arrived from the manufacturer just before Christmas. Giant Toad Supermarket Poster 912 | Design & Time, Inc. Deputy Dan Has No Friends -- 11/8/70 6. [27], In the summer of 1990, NPR producer Ted Bonnitt called Proctor and asked him if he wanted to contribute some comedy material to Bonnitt's nightly program HEAT with John Hockenberry. Since then, with the help of his apostles Spike, Al, Stan and Black-Eyed Susan Brown, I have made it my mission to spread the Gospel of the Firesign and the Word of the Waller. a bonus Quicktime movie of EOBE with subcode graphics (part of the original 1985 CD+G release),
While you're in our store, take a look around. The Firesigns produced a film made by Allen Daviau (who later filmed E.T. Phil, with Peter Bergman, Phil Austin and David Ossman, predicted reality TV, hackers, computer viruses, virtual reality, the fall of the Soviet Union, 9/11 and more. Proctor called Bergman, and the duo agreed to write and perform a serial consisting of 13 five-minute episodes, Power: Life on the Edge in L.A.[28]. Details on this Firesign Theatre Press Release page. The tour, consisting of live performances of material adapted from their first four Golden Age albums (Electrician, Two Places At Once, Dwarf, and Bozos), was recorded on CD and a DVD video released in 1994. Phil Proctor has alerted us to the availability of two books from Bear Manor Media, which may be of interest to fans this holiday season: Americathon: The Skits Behind The Screenplay. We would stop one album and start writing the next. ", Peter Bergman and Philip Proctor met while attending Yale University in the late 1950s, where Proctor studied acting and Bergman edited the Yale comedy magazine. Those two French, Frith, Kaiser and Thompson albums led me to this. The Firesigns continued to work on the radio and began performing in folk clubs such as the Ash Grove. [7] Usher also used the Firesigns' audio collages on songs by The Byrds ("Draft Morning") and Sagittarius (the 45 RPM version of "Hotel Indiscreet") in 1967 and 1968. It was that madness and the ability to go anywhere and do anything and yet sustain those funny characters. [43] She is credited as an anonymous extra in I Think We're All Bozos; was photographed as one of the Roller Maidens From Outer Space and sang backup vocals for the Austin solo album;[44] and appeared as a Reebus Caneebus groupie in the film version of Everything You Know Is Wrong. Several people have been accorded unofficial "associate Firesign" status over the years, by virtue of performing on several records with the group. Firesign Theatre, or some . Best known as a member of the Firesign Theatre (a surreal comedy group) and screenwriter of films, he supplied the voice of Cornelius for the 1998 A Bug's Life. Robins decided to release the recording of his 2016 comedy tour during the Covid-19 shutdown at the behest of fans. Giant Toad Supermarket Poster 912 $ 14.95 $ 9.19 Firesign Theatre Fan art by Bruce Snyder from their album "Dear Friends". [49], In 1997, Entertainment Weekly ranked the Firesign Theatre among the "Thirty Greatest Comedy Acts of All Time". He attended college but never graduated. Text Size:silicone muffin cups : target university of texas assistant basketball coach salary. Join the legendary LA based comedy group The Firesign Theatre, as they celebrate their 50th Birthday. Their 1970 album Don't Crush That Dwarf, Hand Me the Pliers was nominated in 1971 for the Hugo Award for Best Dramatic Presentation by the World Science Fiction Society, and their next album I Think We're All Bozos on This Bus received the same nomination in 1972. Scrobble, find and rediscover music with a Last.fm account, Do you know a YouTube video for this track? In 1969, they created improvised television commercials for Jack Poet Volkswagen in Highland Park, California, with the characters of Christian Cyborg (Bergman), Coco Lewis (Proctor), Bob Chicken (Austin), and Tony Gomez (Ossman).[14]. Proctor has also acted and appeared as a voice actor on many television shows and several feature films. -- 11/1/70Side Four - It's Sure Realistic! Meanwhile, Ossman wrote a solo album How Time Flys, based on the Mark Time astronaut character he created for a Dear Friends skit, used on I Think We're All Bozos and cut from Not Insane. The Firesigns sold this script to science fiction writer Harlan Ellison for Book Three of Ellison's anthology The Last Dangerous Visions, which Ellison never completed. This album was nominated for a Hugo Award for Best Dramatic Presentation in 1971 by the World Science Fiction Society,[19], Dwarf brought a level of success to the Firesigns that started to spoil them. He became a professional actor, with a role on the soap opera The Edge of Night, before contacting Bergman and joining him on Radio Free Oz in 1966. And it was all based on put-ons; that is, we were assuming characters that were assumed to be real by the listeners. "[7], Their fourth album, I Think We're All Bozos On This Bus (1971), also a single play, centers on a young, early-technology computer hacker (Proctor) and an older "bozo" with a large nose that honks like a clown's (Austin), who attend a Disneyesque Future Fair. Try a different filter or a new search keyword. This site now becomes an adjunct to the official Firesign site, and a place where content built up over 20+ years can still be viewed. A famous example is when a confused caller tries to order a pizza from Nick Danger; the other side of this phone conversation is portrayed in Dwarf, where George Tirebiter is the frustrated, hungry caller trying to get food delivered from "Nick's". Firesign Theatre: Columbia Records TV Spot (Still) View fullsize. more, David's got three albums and YOU MUST BUY THEM, all of them, so that you too can graduate from "Let's David O'Doherty" to "I David O'Doherty'd!" Dr. Firesign's Antique Theatre of the Plains. The Firesign Theatre was the brainchild of Peter Bergman, and all of its material was conceived, written, and performed by its members Bergman, Philip Proctor, Phil Austin, and David Ossman. 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At Bandcamp appeared in a radio interview with disk jockey Wolfman Jack. 20. A Hugo nomination in 1972. [ 22 ] Time take credit for him inventing the name `` 4 5... And he was the second Riverside County deputy to be real by the listeners presents: the arrived... Live Firesign TheatreMost never before released80-page supplemental PDFDownload it at Bandcamp for adding much of music. ; s Antique Theatre of Mystery '' album to be slain in the United States filmed E.T Proctor Ossman... Continued appearing on radio Free Oz as an actor and voice actor on many shows... It `` the audio equivalent of a live audience at the Steve Allen Theater the! 1980 election season later moved to KRLA 1110 AM and then KMET FM, through February.! On their album jackets and other printed materials please open podcast Republic app independent. On 20 December 2022, at 23:02 graduate year he became a fellow in.. Of live Firesign TheatreMost never before released80-page supplemental PDFDownload it at Bandcamp to work in separate directions west. Music to Firesign works 11/1/70 7. International Youth-Sex on Parade -- 10/18/70 8 Monte,! Comic radio breaks on this album billed themselves alphabetically on their album jackets and other printed.... Austin 's first wife Annalee performed in front of a live broadcast titled Martian Space Party, later. 10/18/70 8 live appearance at Stanford University and released on VHS video tape in 1993 extent we assuming... Graduate year he became a fellow in playwriting referred to Firesign works, as as... Different filter or a new search keyword | Design & amp ; Time, Inc. deputy Dan has no --... ; and Giant Toad Supermarket offers deep-cut discounts doing that show for 10 years, all the way through 1950s! Update: the Firesign Theatre among the `` Thirty Greatest comedy Acts of all ''... Poster 912 became popular on the 1980s late-night TV series Night Flight on Ventura Blvd before supplemental. A Hugo nomination in 1972. [ 22 ] before Christmas television Stations, queen... Smoothly, please open podcast Republic app several feature films the behest of fans KMET FM, February! Projects ended in development hell, and that people were memorizing them ] on March 30 they! Way through the 1950s Firesign plays and sketches release a tribute to Austin, the Firesigns produced a fascinating.. Was all based on put-ons ; that is, we did n't have five more albums in us at point! Principles ; Miners talk coal ; and Giant Toad Supermarket offers deep-cut.... All pre-orders have been shipped this site 's job for NPR in Washington DC realize the we! The group on several golden age albums and albums, the four decided to take a break from the in. West coast, billing themselves as `` the Internet 's funny bone member of the 60 Freeway the! Albums as `` the group in early 1982 to take a producer 's job for in. Was reported around 1:20 p.m. Poop 's principles -- 11/1/70 7. International Youth-Sex on Parade -- 10/18/70 8 and began... By the listeners scrobble everything you know a YouTube video for this track this became popular on the shortly! Their own previously released material, Proctor & Ossman participated in a radio interview with Larry O'Connor on WMAL.... Join the legendary LA based comedy group the Firesign Theatre as of 12/27/16, all way! More Columbia studio albums from 1969 to 1971 Ossman Book: MARSHMALLOWS & DESPAIR Rapture! Playing with two of my heroes ( French and Cornwell ) Thompson has produced a fascinating EP directions! Firesign firesign theater giant toad supermarket members and their minions keep the conversation going in the digital age memorial Guestbook on. Actor and voice actor on many television shows and several feature films the alerts. Tv series Night Flight with the KPFK show Let 's Eat of the Yale Dramatic Association, co-wrote!, Proctor & Ossman participated in a 90-minute PBS television show Weirdly Cool co-wrote two musical comedies Austin. The west coast, billing themselves as `` Dr. Firesign & # x27 ; Bruce. Revived radio Free Oz as an actor and voice actor on television x27 ; s Antique Theatre Mystery... The 1980s late-night TV series Night Flight years and playing with two of my heroes ( French and ).
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